Esquire Theme by Matthew Buchanan
Social icons by Tim van Damme

21

Sep

seafarers:

Morning in Prague by Markus Grunau

FREE WORLDWIDE SHIPPING TODAY ON SOCIETY6

bbanditt:

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so if you wanna buy some prints from my shop, now is the time! :D

After receiving false information about the severity of a monster hunt, Lenna and Kae show up to a serious battle under-prepared and under-armed. Kae is severely wounded, giving Lenna flashbacks to a hunt she led by herself a number of years ago.

finally this one is done! I started it over the summer but never finished the last two pages until now. hope you like it!

(Source: blindbandit5.deviantart.com)

sext: but why didn’t Ginny die when Harry stabbed the diary with the basilisk fang? most of Ginny’s soul was in the diary and most of Tom’s soul was in Ginny. why did Tom die and Ginny was fine. I don’t understand

Visual Development from Beauty and the Beast by Hans Bacher

(Source: disneyconceptsandstuff)

freeglassart said: You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks!

rufftoon:

makanidotdot:

Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:

1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.

First, just get down the big shapes of your expression, just like you would for a pose.  

So say I wanna do a low angle angry pose.  I know the features are gonna be all mashed down at the bottom because of perspective.

 Scribble it down

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start to put on features

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fix stuff

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put on more stuff

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fix stuff again

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erasing and flipping and stuff a whole bunch until you are happy with it or stop caring

Whole head is a gesture!image

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2. Just like a facial expression, jot down where the important parts of an entire pose goes first.  You can force the rest of the body to fit the pose.

So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face. 

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That’s the simplest explanation I got.  Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!

All great tips, plus bonus Zhao.

<3

by Simon Birch

(Source: meeresstille)

Movies directed by Mamoru Hosoda

(Source: crofesima)

Album Art
768 plays

oxygal:

mr twin sister - september 23rd


Storyboards from Beauty and the Beast by Glen Keane

Storyboards from Beauty and the Beast by Glen Keane

(Source: disneyconceptsandstuff)